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There they all were; those who had come first to the house, and many others: Jean, Bess Carter, Charley Strong, Max Krieber, Jackson Carter, the little colored boy, standing aloof, and others, large and small. All in a line they stood, and shouted up at him: The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. Edith had quickly put her plan in execution, aided by the willing newspapers; but so far nothing had come of it, and mother and daughter feared their charge had lost more than aunt and cousin. South America, a very definite spot in the child’s mind, was still too vague a postoffice address for even Uncle Sam’s marvellous mail-carrying; and so, while encouraging May Nell, the two women tacitly adopted her into their hearts and discussed her future as if she were their own. “Aint Miss Gordon a lovely dancer?” she interrogated, “and aint she lovely herself? I’ve been watollin’ you an’ her dance all evenin’. Moses says he’s almost wore out one eye lookin’ at you both. He says he don’t go in strong fer teachers, but he thinks Miss Gordon is worth an eyestrain anyways.”.